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Franz Xaver Winterhalter
Queen Victoria
Date 1856(1856)
Medium Oil on canvas
Dimensions 88.6 x 72.2 cm (34.9 x 28.4 in)
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Franz Xaver Winterhalter
Baronne Henri Hottinguer, nee Caroline Delessert
oil on canvas
102.5 x 80.5 cm
1851
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Franz Xaver Winterhalter
Italienerin mit Kind
1836(1836)
Medium Oil on canvas
Dimensions 80 x 54.6 cm (31.5 x 21.5 in)
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Franz Xaver Winterhalter
Il dolce farniente
oil on canvas, 160 x 200 cm
Date 1837(1837)
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Franz Xaver Winterhalter
Varvara Korsakova
1858(1858)
Medium Oil
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Franz Xaver Winterhalter
Portrait of Empress Maria Alexandrovna
Date c. 1857
Medium Oil on canvas
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Franz Xaver Winterhalter
Louis Philippe I, King of the French
1840(1840)
Medium oil on canvas
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Franz Xaver Winterhalter
Elisabeth Kaiserin von osterreich
1865(1865)
Medium oil on canvas
Dimensions 117 x 158 cm (46.1 x 62.2 in)
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Franz Xaver Winterhalter
Portrait of Prince Henri, Duke of Aumale
c. 1843(1843)
Medium oil on canvas
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Franz Xaver Winterhalter
Portrait of Empress Maria Alexandrovna
1857
Medium oil on canvas
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Franz Xaver Winterhalter
Portrait of Empress Eugenie
1852(1852)
Medium oil on canvas
Dimensions 240 x 155 cm (94.5 x 61 in)
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Franz Xaver Winterhalter
Portrait of Victoria of the United Kingdom
1843(1843)
Medium oil on canvas
Dimensions 273.1 x 161.6 cm (107.5 x 63.6 in)
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Franz Xaver Winterhalter
Portrait of Empress Maria Alexandrovna
1857
oil on canvas
Height: 120 cm (47.2 in). Width: 95 cm (37.4 in).
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| Franz Xaver Winterhalter
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German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.
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